“Only three miles left! How’s that feel?”
“Like hell,” I spat through gritted teeth.
Rightfully not taking my grumbled response personally, the lady laughed and offered up some orange slices. I offered the heartiest thanks I could muster as I nabbed these while
cruising crawling up a molehill that felt like Everest.
I hadn’t planned to run that first marathon. In fact, I’d only started running because I figured I could complete an entire run in the amount of time it would take me just to travel between gym and home. Pacing wasn’t an important part of the running I’d been doing before I started the 2004 L.A. Marathon, which I did for no greater reason than that my roommate said a couple weeks beforehand, “You’re running so much, you should run the marathon!”
I started the marathon the way I started most my runs: with as much speed as I could muster. I raced through the first ten miles at a 6- and 7-minute per mile clip. I was on top of the world!
Around mile 17, I learned how running a marathon is not like going for a two-hour run around your neighborhood. You’re in it for the long haul, not just for as long as you feel like running.
Around mile 24, as I wrote in Running for Mom, I was barely moving. I was so lost in the effort of making it one more step (and praying I’d pass out so I could stop running), I didn’t have enough energy to believe in myself.
Fortunately, others not only believed in me but vocally urged me onward. Someone would yell, “Almost there, 6287!” and I’d think, “You know, they’re right! I am almost there!” I’d push myself back up toward speeds almost qualifiable as running speeds, and keep them going for a full minute or two before I flagged again.
When downtown Los Angeles came into sight, my fists flew up in an unplanned demonstration of primal glee. Right after that, I thought, with a lot more swearing, “I don’t like the telescoping lens effect in horror movies and I like it less here. @#$)@#*%!”
I kept running.
By the time I rounded the last corner, a block seemed like an eternity. Keeping up a crawl was taking everything I had.
“6287,” someone shouted. “You’re looking tired!”
No sh!t, Sherlock, I thought graciously.
“You’re looking tired, but you’ve got this! Sprint it! I know you’ve got it in you!”
I couldn’t see the person who yelled this encouragement, but I believed him. I looked at the finish line looming and thought, “Hell, yeah, I can do this!”
I steeled myself and I ran. I didn’t crawl, I didn’t doubt, I didn’t do anything but run.
I crossed that finish line and I wept like a little girl who’s told she’s never going to have ice cream again. Ever. But my tears had a different source: I’d done it. And I’d done it, in part, due to orange slices, high fives, and people shouting me on when I didn’t have enough room in my heart to believe in myself.
It’s been ten months since I ran my half marathon in Portland. In those months, until this morning, I’ve run only twice. The first run was twelve minutes; the second, sixteen.
This morning I told myself I’d run fifteen minutes. Instead, I ran twenty. I doubtfully ran even one-tenth the distance I covered in either marathon I’ve run, but it was a challenge nevertheless. It’s always a challenge coming back to something after a long break. Am I still good for this?
I thought of all those folks who cheered me on when I so needed it. I thought, too, of all the kind words you have shared when I needed them here, and the way you did the same in response to Darla’s raw, personal, breathtaking reflections on gratitude.
Your words mean something. In the end, it’s the runner herself who will or will not find what it takes to finish that marathon, or to push the “Publish” button no matter her doubts. But I believe more and more each day races are finished with the support of the people whose faith in us helped us overcome our own doubts before and during, and whose Gatorade and movie marathons afterward remind us that we’ll make it through the challenges to come, too.
Thank you for that, dear readers.
Thank you, “Sherlock.”
When I moved back to L.A. three years ago, I made three compilation CDs to keep me awake through the 16-hour drive. In a rush of originality, I labeled these discs Driving Disc #1, Driving Disc #2, and Driving Disc #3.
Since then, I’ve bought a lot more music, which has led me to make four more driving discs. (OK, I’ve made five, but one was produced in the throes of pregnancy-related hormone fits, and was so utterly unlistenable I tossed the disc and tried vanquishing it from memory. Shh.) I won’t tell you how they’re labeled, but I’m sure you’ll put that puzzle together all by yourself.
This morning, I made it to the end of the fifth disc. The first strains of Jordin Sparks’s “Tattoo” filled my car and–I hate to admit this–I got goosebumps.
Also from the hate-to-admit it files? I probably listened to that song a couple hundred times while I was editing The Monster’s Daughter.
Listening to the song this morning, I was overwhelmed by elation. Since I last listened to it, I moved from halfheartedly editing to actually releasing the book. Sure, there’s still a little work being done behind the scenes, but mostly? I did it. That satisfaction, one I couldn’t feel when I listened to “Tattoo” ceaselessly before, is one I’ll surely wear on my heart like a tattoo for years to come.
Heh. I know, I know. Cheesy, right? But no matter how cheesy it may be, the heart of The Monster’s Daughter is captured in these lyrics:
Don’t look back, got a new direction
Loved you once, needed protection
You’re still a part of everything I do
You’re on my heart just like a tattoo
Just like a tattoo, I’ll always have you